End Of The Century - Which Is Why Wipers
by Jeremy Cronin
‘Let’s leave pessimism for better times’ – spray-painted on a wall in Bogota
1.
With windscreen wipers
(Unlike drive-belts
Or footwear, or chameleons’ tongues)
Low adhesion is advised.
But for this end of century
Wipers should be given
Some additional stickiness
Some adhesive stubbornness to turn
Grand vision into rhythm
Light into rubber
Narrative into epigram
These being more useful inclinations, I think,
At this end of a bad millennium
2.
Some time after the revolution, Soviet libraries adopted
the Dewey Decimal System
With one rectification – the two hundreds: Religion
All the way from 201, 202, 214 (Theodicy), 216 (Good & Evil), 229
(Apocrypha & pseudo-epigraphs), down to 299 (Other religion) –
this great textual body of human wisdom, confusion,
folly and aspiration was reduced by the Soviets to a bald:
Dewey Decimal 200: Atheism
This was not (not by far) the worst sin of Stalinism
But it was its most typical
This should be remembered of the 20th century
3.
I decline to name my windscreen wipers
‘Easy Come’ and ‘Easy Go’,
I think of them, rather, as
‘Quote’ and ‘Unquote’
Between them
Reality
Lies in parenthesis
4.
Clandestine communist cells were organised
Right inside the Nazi death camps
(Each one a parenthesis)
Cell members used cigarettes to bribe camp officials, to get messages
out, obtain medicine in,
or to win space to perform this or that other small task of
solidarity and survival
A condition for secret Party membership was the payment of a weekly sub
- one cigarette
Somehow to be stolen from the guards
How many militants were summarily executed?
How many were caught trying to meet the brave challenge of stealing the
week's levy?
This, too, should not be forgotten of our century
5.
I name my wipers:
‘On the One Hand’ and
‘On the Other Hand’
6.
Those who lost the Cold War
Did not deserve to win in the end
Those who won the Cold War
Were (and are) entirely
Unworthy of their triumph
7.
I am very much worried, ma-comrades, I mean if we get
retrenched, or contracted out, or sent to i-casualised ward, is because why?
Soren-so says for economic growth we have to via global
competitiveness, by so saying
i-Management says, workers, the ball’s in your court
We have given you, they say
A good package
(Which is almost the same phrase Kgalema had just used with irony, thirty
minutes before, as we waited for this very meeting with FAWU shop-stewards)
(Which meeting eventually started two hours late)
(Which is why we’d been watching soccer on TV in a breakaway room, and I was distractedly trying also to write a poem about the end of the century, while Steve Lekoelea looped in a weak cross that was easily cut out by
Chief’s defence)
And Kgalema said - ‘No,
It was a good pass
Just to the wrong team’
And I thought: That’s it!
That could be the poem about the end of the 20th century
8.
In the shadow of the big banks a stokvel
Home brew in the backyard
In a thump of rubber with the foot
To wake up your ancestors in a mine-compound
With a gumboot dance
For most of this century
People’s cultures have retreated to the secret
Thaba Bosius of the soul
Forced to stratagems of non-hegemony -
Rhythm, syncretism, exhibition for the tourist, slant-wise to reality
But what went up to the high plateaux as wedding song, or hunting chant
Came down, sooner or later, transformed
In a factory choir, or toyi-toyi on the street
And is even now an incalculable resource to go, bravely
Slant-wise, into this next imperial century
9.
With all the ambivalence of a car in the city
Being of the street and
Not of it, just passing through
Down Tudhope, wipers at work, rubber-thump, rubber-thump, taking the bend
in the shadow of the tower blocks, then, where the next bend sweeps left
Just there
One day it’s an inner city father walking his four-year-old kid to creche
One day a kerb-side telephone hawker (‘Howzit?’, ‘No, grand’) with her
extension cord looping up to a jack in a third floor flat
One day it’s a bucket with ‘For Sale’ (cooked sheep’s trotters) ‘Johnny
Walkers’, they’re called
One day it’s the crash-in-transit Toyota that I see first
Then the polaroid photographer, then the taxi-driver himself
Posing, door open, left elbow on bonnet, tossing away a cigarette butt (one
week’s sub?), for a snap-shot to be sent to someone, somewhere (rural?), no doubt, else
This tenderness, make-do, wit, role-reversal, job-pride, all in the midst of a
crumbling, an urban, end of century something else
10.
The wisdom of windscreen wipers
Is velocity’s blink
Hesitation in onward rush
An ironic side-swipe on the hypothetical freeway N1 North
In this end of millennium downpour
Where we’ve become habitual, edgy, typical, turned to a split-second hi
One of the genus: desperate whisk, squeegee, scull-oar, either/or
Wavering with intent
In this global, totalitarian, homogenised deluge, where parents, patients,
dependants, lovers, learners, supporters, congregants, citizens (if we
still exist) are zombified into one thing all - clients
And public (if they still exist) institutions are made, the leaner the meaner the
better, contractual service providers
Where managerialism is the ism to make all isms wasms, the new 200 Dewey
Decimal, the delirium of our age
Which is why wipers
With their cantilevered, elegant, frenetic, rubber-thump, rubber-thump
Activism want to insist
Clarity of vision
Forward progress
Proceeding wisely to the point
Involve
A certain
On the one hand
On the other hand
Prevarication
As into
Another millennium
With its own impending
Miscellany, theodicy, good & evil, apocrypha
You/We
Either way, now
Slant-wise
Ironically
Plunge
This poem is from his collection entitled 'More Than a Casual Contact',
Umuzi, Cape Town, 2006. Reprinted with kind permission.